How do you measure success in art?
Why do we equate success with money, fame, celebrity? Why do we think a band that’s on tour with a big bus is successful, when we think a band that plays on Saturday nights for beer money is not? Even if the touring band plays songs that are devoid of any human emotion and the local band plays heartfelt songs that relate directly to their audience’s lives?
I’m beginning to think that our concept of success is a gatekeeper, used by big media conglomerates to stay in control.
[ Read More → ]I’m approaching the gigantic South By Southwest conference-festival-tradeshow like I approach most things — starting with small exploratory trips around the periphery before diving in headfirst. Today I stood in various lines for about 90 minutes to get my “platinum” registration badge. The picture captures but a small portion of the endless queue, which snaked all the way around the gigantic Austin Convention Center.
My platinum badge is not some kind of VIP item, it just means I am here for all three segments of the 10-day event: Interactive, Film and Music.
[ Read More → ]DIRT AND SEEDS is an excellent blog by multiple contributors that covers music, culture, politics and education. They recently reviewed my film Troubadour Blues.
“Selling Your Film Without Selling Your Soul” is a great new book by Orly Ravid of The Film Collaborative, together with DIY marketing pioneers Jon Reiss and Sheri Candler. Bare-bones PDF version, without images or links, is available FREE through this link.
“Think Outside the Box Office” author Jon Reiss, on how he would release and promote his film “Bomb It!” if he were doing it today. Sage advice from one of the pioneers of grassroots movie distribution.
My presentation from the 2011 University Film and Video Association conference, on “How Not to Make a Documentary.”